I went to sleep as the snow continued to come down heavily. When I awoke the next morning, it was...still coming down, though not as heavily. In fact, it was hard to tell if it was snowing, or just blowing around. I tried to figure it out while eating breakfast and watching
Paw Patrol. "Pups Save a Tiny Penguin" when it's stranded with Alex and Everest on a bridge made of canoes and snowboards. They first have to save them from a whirlpool, then get them to shore. "Pups Save a Cat Show" when the robot kitty Mayor Humdinger made goes out of control and makes all of the real cats scatter.
Switched to Frozen: The Musical on Disney Plus next. This is a recording of the English cast of the stage version of the show. It's pretty much the same as the film with a new prologue showing Anna and Elsa as children with their parents at a summer festival ("Let the Sun Shine On"), a random Act Two chorus number for the owner of the trading post where Anna buys her winter clothes ("Hygge"), a duet after Kristoff first meets Anna where Kristoff points out that her engagement is pretty unrealistic ("What Do You Know About Love?"), a number for Kristoff where he finally admits his feelings about Anna ("Kristoff's Lullaby"), a second song for the sisters where Anna confronts Elsa at her ice castle ("I Can't Lose You"), and a second song for Elsa when she realizes she has to return to Arendelle ("Monster").
The adorable "What Do You Know About Love?" is probably the best of the new songs, but most of them aren't as good as the ones from the original film. Though there are some decent lead performances from Laura Dawkes as Anna and Samantha Banks as Elsa, the film isn't really enhanced by stage effects and light shows. The pandemic killed this after two years on Broadway, and Disney saw no reason to reopen it. It did a little better in London, running three years. Honestly, it's not bad, but I suspect it's mainly for stage musical nuts or those with little girls who can't get enough of Frozen and don't mind that it isn't the original.
Moved to Tubi for Good Times during lunch. James and Florida are worried that J.J won't make it his senior year of high school. He focuses entirely on art and girls and has never been seen to crack open a school book. They're surprised when "Junior the Senior" passes anyway. Turns out the principal just wanted to move him along because they're overcrowded and underfunded and can't afford to keep him there. Junior agrees to it at first...but then decides that if he's going to move to the next grade, maybe he'd actually start learning about something along the way.
"The Visitor" is a man from the Chicago Housing Commission who comes in response to an angry letter Michael wrote about conditions in the housing development to his local newspaper. The plump little fellow has obviously rarely left his office, and he gets an eye-opener when he's stranded at the apartment building and learns about the real-life conditions that the Evans and their neighbors live in.
After Good Times ended, I started my next Remember WENN fanfiction. It's over a year and a half after "All Noisy On the Pittsburgh Front." Betty Roberts is waiting for Scott Sherwood to come home from North Africa, even though she's still trying to convince herself that they're only friends. Hilary Booth is furious that Jeff Singer is walking out on her and their shows to seek a correspondent job in London. She was hoping they could remarry and become queen and king of Pittsburgh radio again now that she's gotten her divorce from Scott. Maple LaMarsh is frustrated that Victor Comstock has gone to Washington to deal with W.E.N.N business and has been constantly breaking dates again.
Maple wonders why it's the men who always run off to war. Why can't the women be the ones who get to run off and leave the men behind? Betty thinks this is a brilliant idea, and the perfect catalyst for a story the head of the Pittsburgh Public School District, the new sponsors for A Book at Bedtime, asked for. They requested an original, slightly dark fairy tale to make the younger children shiver and the older ones cheer. Hilary suggests, of course, that she is the Queen of Pittsburghia, returning home with her scribe and music magician, to find all isn't well in WENN Castle...
Tentatively titled Legends of WENN, this is intended to be a much shorter 80's-style fantasy story than my ongoing Once Upon a Time In the Land of WENN, less Game of Thrones and more Willow or darker Princess Bride. I'm hoping I can actually finish this one. I love the idea, and not only is it not tied to a holiday, it's a fully-new idea, not something I came up with years ago.
Listened to a couple of my recent record acquisitions while I worked. We Are was one of Quincy Jones' last collaborations, this one with jazz fusion artist Jon Batiste. The opening title song smacks of gospel. "Tell the Truth" and "Show Me the Way" get more into the rock, while "Whatchutalkinbout," "Boy Hood," and "Freedom" lean more on the soul side of things. Recommended if you love Batiste or are looking for something that moves out beyond the traditional jazz.
Despite being listed as the soundtrack from A Boy Named Charlie Brown, what I picked up at Barnes and Noble last week is actually a reprint of the non-special Peanuts Vince Guaraldi album Jazz Impressions of A Boy Named Charlie Brown. As such, there's some really good performances here. Along with "Linus and Lucy," we have "Oh Good Grief," "Blue Charlie Brown," "Baseball Theme," and "Happiness Theme (Happiness Is)." (I am going to keep looking for the real soundtrack to A Boy Named Charlie Brown, though.)
Moved to the first disc of that Bob Dylan's Greatest Hits Vol. II set next. "Lay Lady Lay" is my favorite number here, and possibly the best-known number on this half of the set. "Watching the River Flow," "Maggie's Farm," and "Don't Think Twice, It's All Right" are other stand-outs.
The snow had long vanished by 4:30, and the roads were largely clear. It wasn't even that windy anymore. I figured it was ok to run errands and use up the last WaWa gift card I got from the kids for Christmas. I had been right about the snow. There was a lot of it, true, at least 9 inches, but it was wet, heavy, and fluffy. In fact, most of it was melting even as I dodged unshoveled sidewalks and huge piles of icy slush. I did drop off two books in one of the library kiosks, but I decided the sidewalks on the back roads were too messy to take them home.
WaWa wasn't that busy, despite it being one of the few places open on a snowy Monday. I got money for a friend, then used the last of my gift card on a soft pretzel and a Chocolate Coconut Smoothie. I tasted more chocolate than coconut, but it was still sweet and wet, which was really all that mattered at that point.
Maybe I should have done the back roads again instead. The sidewalks on the White Horse Pike were only slightly less messy than the ones in the neighborhood. No one had shoveled or plowed around Family Dollar at all, not even their parking lot. I hope they weren't open. At least it wasn't that cold, either, probably in the perfectly normal upper 30's-lower 40's.
Put on Match Game Syndicated while I had dinner. Bob Donner, former beauty queen Marjorie Wallace, Bill Daily, and Marcia Wallace figured into this week. Marcia spent the week joking about how much she and Marjorie looked alike (they didn't) and trying to rein in Bill Daily's perpetual nervousness. Bob Donner spent it writing unique artwork for his cards.
Finished the night at YouTube with more Match Game, this time at YouTube, in honor of Black History Month. The second African-American panelist to appear on the new Match Game after Della Reece was comedian Stu Gilliam early in 1973. No wonder he never came back. He spent most of the week trying to meditate between Jack Klugman and Brett Somers and their perpetual battles. Mannix's secretary Gail Parker had more luck joining the panel in dealing with overly excited contestant Dorothy the day after New Year's 1974. Comedian and impressionist George Kirby appeared later that year, just in time to see Richard literally throw Brett's shoe out when she asked him to fix it.
Isobel Sanford of The Jeffersons turned up on the show twice, most memorably early in 1976. She helped win big money for a very sweet contestant who was such a doll, Marvin Hamlisch and Charles Nelson Reilly wrote a song about her.
Nipsey Russell and Scoey Mitchelll probably appeared the most of any black panelist and got the most out of their appearance on the show. Nipsey appeared off and on from 1973 through 1979. Scoey first turned up in 1974 and would appear through early in 1982. I have a typical episode with Nipsey and his famous poems from 1978, and Scoey's last appearance in 1982 (that also included a brief but memorable striptease from Betty White).
Arsenio Hall was probably the most memorable of the black panelists to appear exclusively on The Match Game Hollywood Squares Hour. His quips and jokes really made that show, and he was frankly one of the best things about a wildly uneven format. Jimmie Walker of Good Times first turned up in 1974, when the show was just starting its five-year run. He became so associated with the show, he would appear throughout the original run and turn up on Match Game-Hollywood Squares and Match Game '90 as well. Like Marcia Wallace and Vicki Lawrence, Jimmie probably did his best work in the 90's show, where he was slightly more subdued and less obnoxious. I have his first episode (and Mary Wickes') here, where he ogles a very pretty contestant.
Celebrate Black History Month with some of the most memorable panelists ever on Match Game!