Called Uber after Side A of the record ended. It was hot, humid, and supposed to rain later. I think I made the right call. The driver going to the Acme arrived in 11 minutes. I called early enough that I got there in plenty of time. The one going home arrived in 10 minutes. No trouble either way.
No trouble at work, either. I swept and pushed carts for the entire six hours. I was on my own during the morning. One of the college boys came out to help me after about 1 PM. Good thing, too. It wasn't busy when I arrived, but it picked up around 11 and stayed busy the rest of the day. We're coming up on the start of September and the school year, and Labor Day is next weekend.
Finished Rocky Horror when I got home while reading Topped Chef by Lucy Burdette, then switched to the original cast CD for the musical version of My Favorite Year. Curry got a Tony nomination in the Peter O'Toole role as the sozzled Errol Flynn-esque swashbuckler star. Lanie Kazan repeated her role as Benjy Stone's (Evan Pappas) mother Belle and also got a Tony nomination; listen for Mary Stout (Eugenia on Remember WENN) also reprising her role as Benjy's aunt in the "Welcome to Brooklyn" number. Lynn Aherns and Stephen Flahtery have an incredible opening number, Benjy's description of live television right before the show starts, "Twenty Million People," but most of the other chorus numbers are just there to give the chorus something to do. Neither Curry's "The Night Is Young" nor "The Gospel According to King" are all that interesting or have much to do with the story.
The character numbers are better. Belle describes how she fell in love with her scrappy Philippine husband in "Rookie In the Ring," Curry tears into "If Life Were Like the Movies," and Benjy explains why he adores Swann's films in "Larger Than Life." Andrea Martin did get a Tony as the female sketch writer in an expanded role, including her big number "Professional Showbizness Comedy" with King Kaiser (Tom Mardrosian). I love this, but I'm also a big fan of Aherns, Flahtery, and the original movie. If you love Martin, Curry, or the film it's worth checking out just for those character numbers.
Moved to YouTube for not one, but two marathons. Country singer "Whisperin'" Bill Anderson was just celebrated for being the oldest current member of the Grand Ol' Opry. He was also the only country star to be a semi-regular on Match Game. The self-effacing, down-home charm he brought to the Opry made him unique on Match Game amid the crustier or more urban panelists. He first turned up on Bonnie Franklin's second week in mid-1976, as she reminded Gene that he hadn't been able to kiss her the first time she was there.
Bill's most famous episode came later in 1976. Brett and Charles dressed as cowpokes to be his back-up singers as he performed his own song for Debralee Scott, who sat under him that week. She was deeply touched, and I thought the whole thing was adorable. He was also on the week in 1978 with Brett and Jack Klugman after their divorce, including the PM episode where Jack said if you asked his ex the time of day, she'd tell you how the clock was made. (He was right.) He brought along a picture of his darling new baby boy in a syndicated episode. He appeared right until the end of the syndicated series in 1982, making his final appearance on a week with another country superstar, Irlene Mandrell.
His last Match Game appearance was during a week of Match Game-Hollywood Squares Hour in 1984. He brought along a Casio keyboard to work on new songs while helping a man from Manchester, England get to the Hollywood Squares segment. Joining him that week were Edie McClurg in a tiara, Fred Travalena and his one-man White House, Linda Dano, Soupy Sales, and Joe Santos.
Lift a twangy guitar to the man whose career has spanned six decades in this hilarious and tuneful marathon!
Jaye P. Morgan is best-known nowadays for her stint on The Gong Show, but she did do Match Game just as it started again in mid-1973. In fact, her one week introduced eventual series regulars Brett Somers and Charles Nelson Reilly and semi-regulars Bert Convy and Betty White. Morgan is the only one that week who wouldn't come back, but she had a lot of fun anyway. She got to hear Brett claim for the first time that Charles wasn't wearing socks and had Bert flirt with her about "turning her on" when she complained that the light on her desk wouldn't turn on.
Bang the gong for this singer, actress, and talent show judge in one of the funniest early weeks of the show!
Finished the night with the all together quieter Miles Davis rendition of Porgy and Bess. This may have been recorded in anticipation of the 1959 Goldwyn film version of the landmark Gershwin opera, but it honestly came out better than that troubled movie did. In fact, this remains one of Davis' best-selling albums. His "Bess, You Is My Woman Now," "Gone," "Summertime," and "I Loves You, Porgy" capture the tough-tender feel of the opera far better than Goldwyn's overstuffed extravaganza generally does.
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